Why Not Theatre presents RISER Project 2019, a collaborative producing model for independent theatre artists. This sixth edition proudly premieres work from Amanda Cordner and David di Giovanni, Bilal Baig and Sadie Epstein-Fine, SamsonBonkeabantu Brown and d’bi.young anitafrika, and Cole Lewis.

The heart of RISER Project, whose participants are generous, flexible, curious, and willing to share and work in new ways, is about building relationships to create an interdependent theatre ecology where the success of one is the success of many.

  • WRING THE ROSES – May 6–14, 2019, Opening Night: Tuesday, May 7

WRING THE ROSES explores one dizzying night on the dance floor, examining racial and sexual identity politics. Rosanna, Rosalicia, and Rosemary are taking their engaged friend Stephanie on one last night-to-end-all-nights before she gets married. The second in a series from madonnanera, WRING THE ROSES is a fatal collision between a bachelorette party and a boys night out.

Creators David di Giovanni and Amanda Cordner, high school best friends, previously collaborated on BODY SO FLUORESCENT, the winner of NOW Magazine’s Best of the Fest for Outstanding Production, Direction, Performance, and Play at SummerWorks 2018.

  • Eraser – May 7–14, 2019, Opening Night: Wednesday, May 8

A student arrives in Canada from Pakistan at the start of their Grade 6 year. Eraser, an immersive physical theatre experience, delves into the memories and fantasies of a classroom of students as they figure out who it is they want to be. Six performers guide the audience through six different journeys; from the cafeteria to the change rooms to the playground; to the places where they feel safest and most brave, vulnerable and most afraid. Eraser is created for all ages.

Spotlighting outsider voices is central to the work that Eraser co-creators and directorsBilal Baig and Sadie Epstein-Fine create. Bilal Baig’s recent play Acha Bacha, about a queer Muslim man, was co-produced by Theatre Passe Muraille and Buddies in Bad Times Theatre in February 2018. In May 2018, Sadie Epstein-Fine co-edited Spawning Generations: Rants and Reflections on Growing Up with LGBTQ+ Parents, published by Demeter Press, the only anthology published to date created entirely by queerspawn.

  • 1991 – May 22 – June 1, 2019, Opening Night: Thursday, May 23

After a serial killer strikes again in her hometown, welfare kid Nicole heads south of the border to stay with her father, a boozy, fist-swinging Vietnam veteran. Jumping from crap car to seedy bar to crap car, 12-year-old Nicole hunts for a way out, unscathed. With a distinctive blend of digital and analogue technology, 1991 digs deep into the culture of misogyny and the resilience of youth.

Critically acclaimed theatre creator, Vancouver’s Guilty by Association, present a live film/theatre experiment, written and directed by Artistic Director Cole Lewis. Originally from St. Catharines, Cole Lewis recently directed Redshift Music Society’s Still Life Continuum at Vancouver’s Orpheum Theatre, three different productions at SummerWorks since 2014, and The Visit at Yale School of Drama. Upcoming she is adapting Kyo Maclear’s Virginia Wolf for a 2020 TYA production, and writing/directing Untitled Nurse Project with a seed commission from Stratford Festival.

  • 11:11 – May 26 – June 1, Opening Night: Wednesday, May 27

Where the spirit world and the real world meet, lies a bio-mythical monodrama unapologetically crafted and performed by critically-acclaimed trans-identified artist,Samson Bonkeabantu Brown, with multi-award-winning artist, d’bi.young anitafrika as dramaturge and director. 11:11 explores the other side of fear through the eyes of a young, black transman struggling to obey the ancestral messages saturating his dreams.

Samson Bonkeabantu Brown is a self-described “Jamal Of All Hustles” with a primary focus on trans advocacy and the arts. He uses the arts to create visibility for men of trans experience and to educate the general public on trans issues. Samson will be appearing in RARE Theatre’s Welcome to my Underworld at the Young Centre for the Performing Arts in May 2019. d’bi.young anitafrika is a queer black feminist dub poet, theatre maker, educator and activist. During the past 20 years, she has written, performed and published numerous collections of poetry, plays and dub albums that decry the entangled inequity of racism, classism, misogyny, homophobia, colonialism and capitalism.

Ticket prices range from $12.00 to $60.00.   For more more information visit  tickets.theatrecentre.org or call 416.538.0988.

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