Cabaret
Director Peter Hinton plays it safe with a modestly sexy staging of the timeless musical classic, ‘Cabaret.’ From left to right Deborah Hay, Jacqueline Thair, Tess Benger, and Julian Molnar dish out the tease at the Festival Theatre.

Wholehearted Spirit of an Era

The Shaw Festival’s presentation of Cabaret embodies the excesses and illusions of a group of pre-World War II Berliners. Despite Nazism on the horizon, the Kit Kat Club supports an alcohol-drenched, free-spirited patronage. From the viewpoint of a young American caught up in the collective denial of times, we see the onslaught of Hitler from all standpoints — the young and the old, the idealistic and the pragmatic, the Jew and the Gentile.

On the whole, most of the main characters hold their own with strong individual performances. Gray Powell as Cliff, the drifting American writer, brought strength and subtlety to a performance full of excess. As the earnest everyman, he gained and held the audience’s sympathy throughout the play. The view of the crazy Berlin world, after all, was his, and as his disillusionment grew, so did the audience’s.

As the foil to Cliff’s everyman, Sally Bowles (played by Deborah Hay) was the over-the-top star of Cabaret . The overly dramatic elements of her character were perfectly appropriate, and she maintained the emotional believability and sincerity of her character. “Don’t Tell Mama” highlighted both her voice and self-assurance.

Corrine Koslo assumes the role of Fraulein Schneider and transforms the character from a crotchety old lady to a spunky, independent spinster forced into making painful decisions. In “So What,” “It Couldn’t Please Me More,” and “What Would You Do,” she elicited laughter and heartache from the audience.

As the sardonic emcee, Juan Chioran looks in complete control. Most impressive is his ability to smoothly pull off the allegorical aspect of the story without making it too obvious or heavy-handed.

Overall Cabaret is a play that shines with wholehearted spirit and a distinctive stage setup. It’s soft, smooth and impressionable.

Review by Jonathan O’Neil

CABARET by Joe Masteroff, music by John Kander Apr. 10 – Oct 26, 2014 FESTIVAL THEATRE Niagara-on-the Lake, Ontario TICKETS $24.00 – $113.00 * 1-800-511-SHAW www.shawfest.com CAST David Ball, Tess Benger, Kenton Blythe, Benedict Campbell, Jeremy Carver James, Juan Chioran, Patty Jamieson, Deborah Hay, Aaron Hastelow, Kaylee Harwood, Kyle Golemba, Krista Frank, Lorne Kennedy, Corrine Koslo, Billy Lake, Julian Molnar, Gray Powell, Ben Sanders, Kiera Sangster, Travis Seetoo, Jonathan Tan, Jacqueline Thair, Jay Turvey, Kelly Wong, Jenny Kost DIRECTOR Peter Hinton MUSICAL DIRECTOR Paul Sportelli CHOREOGRAPHER Denise Clarke SET Michael Gianfresco COSTUMES Judith Bowden LIGHTING Bonnie Beecher

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  1. Angelique on May 26, 2014

    The actor who played the Emcee was my favourite part of Cabaret. I wish he could emcee my wedding this summer.

  2. I’ve waited so long to see ‘Cabaret’ and was happy to take the plunge at The Shaw Festival. How can your heart not go out to the American writer or the Jewish store owner when political change seizes a nation.

  3. William Barker on July 27, 2014

    This show felt so different than the one I saw in 93. Its crazy how a director can put such a different spin on a play to let you see it with new eyes.

  4. Femme Fatale on July 29, 2014

    Not sure why Cabaret was played so cautiously this time around. It’s suppose to be wilder, unrestrained. Great staging but not sure why those elements were missing.

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