From the countdown to curtain call with background music videos from Young MC’s Bust A Move to The Cure’s Love Song to Peter Gabriel’s Big…
Nothing in this world sucks more than not receiving credit for what’s rightfully owed. Such is the position for a trio of success starving sisters…
It was Abraham Lincoln who once said, ‘You can fool all the people some of the time, and some of the people all the time,…
Regardless which side of the fence you sit on when comes to the ongoing debate as to what the right way is for a theatre…
Say what you will about imperfect hubby’s falling short of what’s deemed ‘ideal’ when history has clearly demonstrated vast behavioural improvements since man has roamed…
A play with opera, Paper Canoe Projects and Cahoots Theatre partner with Native Earth Performing Arts for the world premiere production of I Call myself Princess written…
The Stratford Festival extends congratulations to Seana McKenna for being named to the Order of Canada, a well-deserved honour for one of this country’s finest…
If you’re like most city dwellers and would rather kick out a stool from beneath your feet with a tight noose wrapped tightly around your…
Given the fact is there are far fewer imagination boundaries with youngsters than the rest of us been-there-done-that-bought-the-t-shirt fickle grown-ups, is it any wonder that…
Truth be told, Michael MacKenzie’s two hander based on characters by Catherine Fitch and Marion Day will solicit one of two specific points of view—you’re…
Remember your first ever lip locking event and how it made you perpetually weak in the knees, overturned your insides and let’s not forget the…
I must confess, I’ve never been to 1928 Berlin when money was too tight to mention but always catch myself fantasizing what it was like…
When you measure up (1949) to Oklahoma (1943) to The King and I (1951) each production resonates in the mind of theatregoers for one special…
What is it about heroes that forever hold a warm spot in our hearts? It might be the ability to achieve feats of bravery we…
It is 17th century Paris; Elomire (Sarah Wilson)—note that Elomire is an anagram of Moliere—heads a great theater company, and is outraged when their patron, the…
