HEATHERS: THE MUSICAL
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HEATHERS: THE MUSICAL

From the countdown to curtain call with background music videos from Young MC’s Bust A Move to The Cure’s Love Song to Peter Gabriel’s Big…

BRONTE: THE WORLD WITHOUT
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BRONTE: THE WORLD WITHOUT

Nothing in this world sucks more than not receiving credit for what’s rightfully owed. Such is the position for a trio of success starving sisters…

THE MUSIC MAN
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THE MUSIC MAN

It was Abraham Lincoln who once said, ‘You can fool all the people some of the time, and some of the people all the time,…

ROCKY HORROR SHOW
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ROCKY HORROR SHOW

Regardless which side of the fence you sit on when comes to the ongoing debate as to what the right way is for a theatre…

AN IDEAL HUSBAND
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AN IDEAL HUSBAND

Say what you will about imperfect hubby’s falling short of what’s deemed ‘ideal’ when history has clearly demonstrated vast behavioural improvements since man has roamed…

HEADLINE: JANI LAUZON’S SEPTEMBER TREAT PROMISES A-LIST PERFORMERS

A play with opera, Paper Canoe Projects and Cahoots Theatre partner with Native Earth Performing Arts for the world premiere production of I Call myself Princess written…

HEADLINE: SEANA MCKENNA GETS HER RIGHTFUL SPOT IN CANADIAN HISTORY

The Stratford Festival extends congratulations to Seana McKenna for being named to the Order of Canada, a well-deserved honour for one of this country’s finest…

THE ORCHARD (AFTER CHEKHOV)
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THE ORCHARD (AFTER CHEKHOV)

If you’re like most city dwellers and would rather kick out a stool from beneath your feet with a tight noose wrapped tightly around your…

THE MAGICIAN’S NEPHEW
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THE MAGICIAN’S NEPHEW

Given the fact is there are far fewer imagination boundaries with youngsters than the rest of us been-there-done-that-bought-the-t-shirt fickle grown-ups, is it any wonder that…

THE BARONESS AND THE PIG
April 2014

THE BARONESS AND THE PIG

Truth be told, Michael MacKenzie’s two hander based on characters by Catherine Fitch and Marion Day will solicit one of two specific points of view—you’re…

STAGE KISS
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STAGE KISS

Remember your first ever lip locking event and how it made you perpetually weak in the knees, overturned your insides and let’s not forget the…

GRAND HOTEL
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GRAND HOTEL

I must confess, I’ve never been to 1928 Berlin when money was too tight to mention but always catch myself fantasizing what it was like…

THE KING AND I
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THE KING AND I

When you measure up (1949) to Oklahoma (1943) to The King and I (1951) each production resonates in the mind of theatregoers for one special…

O’FLAHERTY V.C.
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O’FLAHERTY V.C.

What is it about heroes that forever hold a warm spot in our hearts? It might be the ability to achieve feats of bravery we…

LA BÊTE
April 2014

LA BÊTE

It is 17th century Paris; Elomire (Sarah Wilson)—note that Elomire is an anagram of Moliere—heads a great theater company, and is outraged when their patron, the…

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